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Posts Tagged ‘music that sounds feel-good’

If sobriety and music are bedmates you don’t cuddle up next to, chances are you’ll get a kick out of the Pittsburgh-based Black Moth Super Rainbow. Their Dandelion Gum album has fragility clinging to its every note, malcontent and mumbling about sleepy summers and lost flowers; agreed not exactly the most breathtaking of concepts, but the music certainly carries it to places very rarely tread even by indie music standards. Hell, Black Moth Super Rainbow is too indie to be called indie; they’re beautiful noisemongers because as discordant as you might think the music is, you’d have to be deaf to miss out on the how gorgeous it sounds. Neon Syrup For The Cemetery Sister, with electronic fuzz washing over it and Untitled Roadside Demo, a space gospel amongst other trippy things, are highlights. In fact I’m yet to find a track of theirs I could do without on a rainy Saturday afternoon; even Rollerdisco gently coaxes my ears despite staying true to the second part of its name. I’m feeling giddy thinking about The House of Apples and Eyeballs (their collaboration with the fantastic pop-tronic band The Octopus Project). Check out Pop Matters’ review too.

*****

Broken Bells has Danger Mouse, uber-producer and one-half of Gnarls Barkley, hooking up with James Mercer, lead singer of indie stalwarts The Shins, creating great music for us to feel the wind in our hair and wag our tongues out of the car window to. No, seriously…this is the stuff that makes road rage a fleeting thought. This is music that sounds feel-good and shockingly also makes you feel good, mostly because it never stoops to down to lows like dipshit happy choruses that rhyme “high” with “why” or fancy guitar solos that never serve any purpose but getting the lead guitarist decent head or better coke. Broken Bell’s debut is scheduled for release in about three weeks (don’t be a dick by downloading the album now) so for now, gorge yourself on the single – the tremendously synth-tastic The High Road.

*****

A British supergroup comprising Damon Albarn (Blur), Paul Simonon (The Clash), Simon Tong (The Verve) and Tony Allen (an Afrobeat legend) released an album called The Good, The Bad And The Queen in 2007 that was very fucking listenable. They decided to remain unnamed as of yet but I doubt it started off as a gimmick considering how lackadaisical each song is towards grabbing our attention. I think that the album remained rather obscure (or maybe I was too busy listening to Anselmo’s side projects in 2007) because it never quite lived up to the reputation of its musicians. While I’m game for musicians letting their legendary status rot in a trophy case rather than stroking it in the recording studio, still a punk icon, two British alternative rock stalwarts and one of the greatest drummers ever could surely have come up with something more than a bunch of dainty, bouncy, and vaguely refreshing melodies neatly packaged as “indie music to look out for in 2007”. The title track however is epic and not because it goes on for seven minutes; it’s a track that puts the spotlight on their collective brilliance. Albarn hurriedly whispers, “It’s the blessed routine, for the good, the bad and the queen, just moving out of dreams with no physical wounds at all” as the rest revisit great Eighties pop briefly with their instruments and then move into a frenzied post-grunge guitar section before calling it a day all hush-hush. Good stuff.

*****

The Raah Project, where do I start?  clears throat and gets knocked down by a silhouette). Ahem, from Scholar’s The More I Make Revolutions, The More I Want To Make Love, “No matter what kind of what music you dig, I hope you’ll be adventurous and give this joint a listen. It’s a cross-section of so many styles that it would be problematic to faithfully paint a picture with words…just an insanely beautiful piece of music.” Yes good man, YES! I can stop overplaying Cool Calm Pete’s remix of Sharon Jones’ Stranded In Your Love; this, my simians, has the smoothest groove I have heard in a long time.

Watch

Black Moth Super Rainbow – Neon Syrup For The Cemetery Sister, Untitled Roadside Demo

Broken Bells – The High Road

Untitled – The Good, The Bad And The Queen

The Raah Project – All Of Your Things (or download it from Souled On)

Buy

Black Moth Super Rainbow’s Dandelion Gum

The Good, The Bad And The Queen

The Raah Project – Covered Up In Stars

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