Posts Tagged ‘Iggy Pop’

50. Eagles of Death Metal – Anything ‘Cept The Truth

Palm Beach-based Eagles of Death Metal, despite what Axl Rose might say, have paid proper respect to the almighty desert rock groove. Sometimes light-headed, mindlessly rhythmic rock music is what the soul craves. This track from NHL 10’s soundtrack is just that.

49. Gypsy Soul – Wicked Game

I have felt guilty about liking Chris Isaac’s original version as much as I used to. California-based Celtic pop band Gypsy Soul, with their singer Cilette Swann coaxing the melody to travel to a far more ethereal place, makes me feel cool again.

48. Iggy Pop – King Of The Dogs

Iggy Pop has reinvented himself in a sensibly drunken way. The Godfather of Punk went eclectic jazz and lounge pop in his latest album Préliminaires, shining like a mad friggin diamond on this track. I can’t help but wonder if the meeting with Tom Waits in Jim Jarmusch’s Coffee and Cigarettes had something to do with this.

47. Aimee Mann – One Is The Loneliest Number

Not since Bjork’s All Is Full of Love has a woman’s voice had me feeling this giddy and diffident at once. You might have heard her during one of those wonderfully screwed up sequences in Paul Thomas Anderson’s Magnolia. I heart Aimee Mann.

46. Colin Meloy – Summertime

I have a very high regard for the music of The Decemberists; Colin Meloy’s their singer and songwriter, and a very fine one at that. A million artists have covered George Gershwin’s Summertime but a nay a musician in recent years has done it with such style and restrained grace.

45. KlaxonsNo Diggity

It’s scary how good Klaxons were in conducting this experiment in weirdness. Blackstreet & Dr Dre dare not complain; these London-based new wave poppers have done them proud, with an insanely catchy cover that has no business sounding as good as it does.

44. Mos Dub – Ms Vampire Booty

Max Tannone’s remix project lets Mos Def’s badass verbosity loose on the dancefloor with some funky reggae sampling to keep it company. The killer snares behind acapella vocals dare you to sit still.

43. Circa Survive – Spirit Of The Stairwell

Pennsylvania-based Circa Survive makes common music with uncommon talent. Their brand of lo-fi acoustic music isn’t going to win you over with originality, but the altruistically dreamy psychedelia of tracks like this one will whip your ears into soulful frenzy. Check out their 2010 album Blue Sky Noise.

42. Cold War Kids – Electioneering

This isn’t if for everyone, kiddies. Amongst all the tracks on the OKX album, Stereogum’s tribute to Radiohead’s 1997 masterpiece, the Cold War Kids’ cover is probably the boldest. The militant thumping of percussions, along with Nathan Willett’s dry-throated call for political compromises, takes me back to the first time I heard APC’s Counting Bodies Like Sheep.

41. Josh Homme & PJ Harvey – Powdered Wig Machine

Josh Homme’s decade-long pet project – Desert Sessions – has him collaborating with the coolest musicians from the vastly underrated Palm Desert Scene. PJ Harvey brings sultriness back with the ferocity of a she-wolf in heat, seducing, howling, “Come on, come to me”; very, very sexy.

40. The Constellations – A Perfect Day

I get misty-eyed whenever heavy slabs of soul are injected into the veins of straight-up rock music. Little Richard spawned it. The Beatles stole it. The Rolling Stones lost it. Coldplay and Maroon 5 almost screwed it all up. Now The Constellations have resurrected it on their Southern Gothic album. If only their songwriting improved, they’d be a force to reckon with.

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Legend has it that Jim Morrison’s performance in 1967 at the University of Michigan made one hell of an impression on a young-ish Iggy Pop. Fittingly, he looked more like a Lizard King than Morrison at his most malnourished ever did. While he reinvented punk rock with The Stooges, I am of the opinion that Iggy never sounded better than he did on his solo albums. Ever his debut The Idiot in 1977, Iggy Pop has consistently released solo albums that have defied the artistic consciousness of their respective generations.

Iggy-PopFor instance, as the rock fraternity celebrated the Glam and Synth wave during the early Eighties, he dropped a bucketload of mid-tempo garage noise anthems through Party, Zombie Birdhouse and Blah Blah Blah – three albums that quietly refused to conform to the tune that everyone else were dancing to. During the early to mid Nineties when everyone and their mothers were listening to radio-friendly alternative rock and squeaky-clean polished grunge, the Godfather of Punk released the frenzied and crude throwback to Seventies – American Caesar and subsequently, Naughty Little Doggie.

I am not entirely sure what genre of music the current generation is salivating over, but I sure as hell know that it has nothing to do with jazz or bossanova. Needles to say, Iggy Pop’s 15th solo album – Préliminaires – is a collection of just that. Inspired by the French novel The Possibility Of An Island (Michel Houellebecq), Préliminaires, I hear, has Iggy in a jazz-like trance with a sea of delicate Dixieland-flavoured rhythm sections for him to drown himself into. Also included is a fantastic cover (hearsay) of the 1940s French classic Les Feuilles Mortes.

IggyKing Of The Dogs” is fucking splendid. One of his finest tracks, I think. It starts off with a swinging-as-Tarzan-on-crack cabaret beat that leads to Iggy telling us, “I’ve got a smelly rear, I’ve got a dirty nose, I don’t want no shoes, and I don’t want no clothes…I’m living like a king of the dogs”. I swear, if Frank Sinatra was cryogenically frozen and then unleashed at a Tom Waits concert, he’d sound just like this.

So that’s Iggy Pop for you. The deranged disco remix of what one would expect of an elder statesman of popular culture. The antithesis of Bernardo Bertolucci’s Conformist. The shaman of artistic hedonism. A crazy, lean, old man who won’t stop till the audience can conceptualize just how crazy he really is.


Iggy Pop – King Of The Dogs

Iggy Pop – I Wanna Be Your Dog (Live)


Iggy Pop – Préliminaires

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