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Not many films rattle me. Even fewer leave me searching for words to summarize how I feel about them. Pratap Pothan’s Meendum Oru Kaathal Kathai. Parthibhan’s Thendral. Darren Aronofsky’s Requiem For A Dream. Martin Blank’s Combat Shock and probably Kim Di Duk’s The Isle. Each of them for various reasons ranging from Oedipal issues and drug problems to losing loved ones and sexual depravity. Last night, Eden Lake took the top spot in the list of films that left me staring blankly at myself while the end credits rolled. Starring Kelly Reilly and Michael Fassbender as a couple looking for an idyllic weekend and getting anything but that, Eden Lake tapped into some of my darkest fears.edenlake-uk-poster-tsrimg

It would be extremely presumptuous to pigeonhole Eden Lake as just another slasher film, which torments the protagonists and leaves them bloodied, bruised and abused. The difference between this film and a million others is that the tormentors are children; and I’m not talking about devilish kids born to the seventh son of Satan. These kids are merely an exaggeration of a few of the critters that I have mingled with as a child. I bet you know one or two just like them too.
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The film manages to avoid the idiotic fallacies that one would associate with this genre. Hell, it even sidesteps the depravity that Oliver Blackburn’s Donkey Punch could have done without. And the actors put on a great show as they perfectly convey the fear that is seemingly omnipresent thirty minutes into the film. A special mention to the child actor – Jack O’Connell. Congrats young fellow, you have replaced Cochin Haneefa in Mahanadhi as the most remorseless make-believe character I have come across on-screen.

Even though it’s definitely one of the best films I have ever seen, I cannot bring myself to recommend this to anyone I know. Delusional or not, I imagine that most of my friends are pretty content with their lives or at least hopeful enough to look forward to something pleasant in the future. I am just not too sure if Eden Lake’s brilliance is sufficient compensation for the terror it induces. And I am not saying James Watkins’s debut is disturbing enough to leave you nervously peeking over your shoulder at every single family vacation from now onwards. I’m saying it comes close to doing that.

I’m not going to reveal anymore of the story but I’ll tell you this much…the climax of Eden Lake is the most frightening two minutes I have been through while sitting in front of the television. Maybe next week, I can bring myself to recommend it.

Brilliant, pulsating and utterly devastating…all in one breath.

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