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Posts Tagged ‘Christopher Nolan’

that Nolan’s Inception was mind-blowing? I mean, it was just awe-inspiring. My favourite part was when the ninja rabbits had a bloody Kung Fu showdown with the Nazi jazz guitarists on a giant Lotus leaf. I would rather have had the rabbits win, but hey, that’s just me. Anyway…good for Nolan, and how delightfully cute of us to kindly take time from our busy schedules and intellectually over-analyze a Warner Bros production.

I love you.

Hollywood too.

Six stars out of five!!!

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lawn

Lawn Dogs: I am not entirely sure what director John Duigan wanted to convey through Lawn Dogs. It is the equivalent of reading a Patrick McCabe novel. You are not entirely sure about what’s going on, but somehow you are moved by it. Throw in some over-the-top symbolism and a haunting musical score and you’ll be lucky not to be squatting naked on your bathroom floor, clutching your knees, sobbing while dealing with a migraine by the end of the film.

Alright, maybe I exaggerate a bit (certainly not about McCabe though, try reading Mondo Desperado), but seriously, the ending freaked me out. And I want that beautiful piece of music that pierces through the climax more than I want chocolate shavings on my double-scoop sundae.

lawn dogs

Sam Rockwell once again gets on every critic’s good side with his commitment to his character’s eccentricities. Even in Hitchhiker’s Guide To The Galaxy, he played the role of Zaphod Beeblebrox with the perfect level of silliness and assholishness (I don’t get paid for this, you know). In Lawn Dogs, Rockwell plays Trent – a free-spirited, slightly insane trailer park reject who makes a living by mowing lawns in the nearby sophisticated housing development. Enter Mischa Barton, who plays Devon Stockard – a ten-year-old girl who feels so burdened by society’s imperfections that she hardly feels the need to let her mind wander within hundred feet of reality. They have something in common – the urge to keep running away until normalcy is all but a tiny dot.

Of course, the other residents misconstrue certain events, which leads to many awkward moments and by the end, a few disturbing, violent ones between these two lawn dogs and the rest of the world. Like I said earlier, I don’t think Lawn Dogs ended the way that would have probably catapulted it to greatness (or at least what I conceive to be so), but it did leave me with a feeling that it could never be replicated again. That’s more than I can say for most of what artists across different medium spewed forth during the Nineties.

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Donnie Darko: Dam…I should have watched Donnie Darko a few years ago. Not that I didn’t enjoy it a whole lot, but something tells me that I would have just stopped short of persistently drooling if I had watched it then. See folks, if you want to make a film about teenagers getting messed up by peer pressure, social alienation and all that, this is what you do. You hire a competent actor (Jake Gyllenhaal is exactly that), give his character a vague emotional crisis, weave a plausible storyline around his life and then boldly going where few films about stressed out teenagers go  – a dark alley where different genres of film meet up and shake hands.

doniie darko

Donnie Darko does that to science fiction; often teasing to cross paths with time travel, but never obliging to say more than a kind word. I’ll stop before I confuse you further by talking about everything else than the storyline. So, go watch Donnie Darko. It is directed by Richard Kelly and features solid performances by Maggie Gyllenhaal (whom I think can do no wrong) and Holmes Osbourne. Oh, Patrick Swayze is remarkably sleazy and awesome in his role as the motivational speaker. No wonder he almost managed to save Niall Johnson’s Keeping Mum with similar creepiness.

followingFollowing: This one is Christopher Nolan’s first full-length feature film and with the exception of Memento, it also happens to be his most satisfying work. Surprisingly, most its uniqueness stems from the fact that the storytelling in Following hardly bears to any resemblance to any of his future endeavors that brought Hollywood to its knees. Before I go on raving about this and that, you should know that the narration is presented in a disjointed format; meaning that Christopher Nolan – the cinematographer – had more of an impact on this film than Nolan – the director or the writer.

Shot in a grainy 16 MM camera, it gives us a glimpse into the life of ‘Bill’ (Jeremy Theobald) – a writer who one day decides to follow people in order to understand more about them. An encounter with a sharp dressed thief (Alex Haw) leads ‘Bill’ and us, the audience, into a journey of fractured self-discovery. So, is this film noir? Perhaps, but with muted words replacing dramatic silence.

Pi

Pi: And this one just happens to be Darren Aronofsky debut film (both of which are available, excellently packaged at Rainbow DVD store in Old Parsons Complex). This too has been shot in murky black and white with the inconsistent camerawork working to its benefit. As horribly cheesy as the tagline – searching for patterns in all the wrong places – is, it perhaps is the most accurate description of Aronofsky oddly intense debut.

Pi has Sean Gullette playing Max Cohen – a New York-based mathematical theorist who believes that numbers can solve universal complexities and provide a definitive answer to the biggest problem of all, life itself. With the help of Euclid (his homemade supercomputer), he looks to find patterns that could give him control over the stock market. Like Following, the protagonist’s life changes after a strange encounter with an even stranger man – in this case, Lenny Meyer (Ben Shenkman), an orthodox Jew who theorizes on Torah (Judaism’s original religious and legal texts).

Pi

Now look, I have absolutely hated mathematics as long as my memory permits. Nothing made me sadder as a kid than to know that solving a problem involving numbers held the key to how close I was to a righteous asskicking from my dad. Despite that, I enjoyed the tricky arithmetic of Pi; mostly because the director didn’t suck the life out of it by taking away the element of human error.

Pi is splendid mostly because we pity Max Cohen more than anything else.

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800px-batman_turkeyExcerpts from an article that appeared in the MSNBC website…

The mayor of the real city of Batman — an oil-producing city in southeast Turkey — is reportedly suing “Dark Knight” director Christopher Nolan and Warner Bros.

“There is only one Batman in the world,” Kalkan said. “The American producers used the name of our city without informing us.” Kalkan claims he has evidence, which will show the city of Batman was founded before the 1939 debut of Bob Kane’s DC Comics superhero by the same name.

Excerpts from my mind…

What the fuck?

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